After some days spent in listless indolence, during which I traversed many leagues, I arrived at Strasbourg, where I waited two days for Clerval. He came. Alas, how great was the contrast between us! He was alive to every new scene, joyful when he saw the beauties of the setting sun, and more happy when he beheld it rise and recommence a new day. He pointed out to me the shifting colours of the landscape and the appearances of the sky. “This is what it is to live,” he cried; “how I enjoy existence! But you, my dear Frankenstein, wherefore are you desponding and sorrowful!” In truth, I was occupied by gloomy thoughts and neither saw the descent of the evening star nor the golden sunrise reflected in the Rhine. And you, my friend, would be far more amused with the journal of Clerval, who observed the scenery with an eye of feeling and delight, than in listening to my reflections. I, a miserable wretch, haunted by a curse that shut up every avenue to enjoyment.

We had agreed to descend the Rhine in a boat from Strasbourg to Rotterdam, whence we might take shipping for London. During this voyage we passed many willowy islands and saw several beautiful towns. We stayed a day at Mannheim, and on the fifth from our departure from Strasbourg, arrived at Mainz. The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene.

We travelled at the time of the vintage and heard the song of the labourers as we glided down the stream. Even I, depressed in mind, and my spirits continually agitated by gloomy feelings, even I was pleased. I lay at the bottom of the boat, and as I gazed on the cloudless blue sky, I seemed to drink in a tranquillity to which I had long been a stranger. And if these were my sensations, who can describe those of Henry? He felt as if he had been transported to fairy-land and enjoyed a happiness seldom tasted by man. “I have seen,” he said, “the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance were it not for the most verdant islands that believe the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water and gave you an idea of what the water-spout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud; but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange, but there is a charm in the banks of this divine river that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier or retire to the inaccessible peaks of the mountains of our own country.” Clerval! Beloved friend! Even now it delights me to record your words and to dwell on the praise of which you are so eminently deserving. He was a being formed in the “very poetry of nature.” His wild and enthusiastic imagination was chastened by the sensibility of his heart. His soul overflowed with ardent affections, and his friendship was of that devoted and wondrous nature that the world-minded teach us to look for only in the imagination. But even human sympathies were not sufficient to satisfy his eager mind. The scenery of external nature, which others regard only with admiration, he loved with ardour:—

——The sounding cataract
Haunted him like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to him
An appetite; a feeling, and a love,
That had no need of a remoter charm,
By thought supplied, or any interest
Unborrow’d from the eye.

[Wordsworth’s “Tintern Abbey”.]

‘Oh, you must not talk about dying yet.’

‘Lor bless her dear heart, no!’ interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction.

‘Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on ’em dead except two, and them in the wurkus with me, she’ll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there’s a dear young lamb do.’

Apparently this consolatory perspective of a mother’s prospects failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child.

The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back—and died. They chafed her breast, hands, and temples; but the blood had stopped forever. They talked of hope and comfort. They had been strangers too long.

‘It’s all over, Mrs. Thingummy!’ said the surgeon at last.

‘Ah, poor dear, so it is!’ said the nurse, picking up the cork of the green bottle, which had fallen out on the pillow, as she stooped to take up the child. ‘Poor dear!’

‘You needn’t mind sending up to me, if the child cries, nurse,’ said the surgeon, putting on his gloves with great deliberation. ‘It’s very likely it WILL be troublesome. Give it a little gruel if it is.’ He put on his hat, and, pausing by the bed–side on his way to the door, added, ‘She was a good–looking girl, too; where did she come from?’

‘She was brought here last night,’ replied the old woman, ‘by the overseer’s order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows.’

The surgeon leaned over the body, and raised the left hand. ‘The old story,’ he said, shaking his head: ‘no wedding–ring, I see. Ah! Good–night!’

The medical gentleman walked away to dinner; and the nurse, having once more applied herself to the green bottle, sat down on a low chair before the fire, and proceeded to dress the infant.

What an excellent example of the power of dress, young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar; it would have been hard for the haughtiest stranger to have assigned him his proper station in society. But now that he was enveloped in the old calico robes which had grown yellow in the same service, he was badged and ticketed, and fell into his place at once—a parish child—the orphan of a workhouse—the humble, half–starved drudge—to be cuffed and buffeted through the world—despised by all, and pitied by none.